Opening: May 14, 2005 5 p.m. Screenings start at 4, 5 and 6
Screenings: May 14- June 12, Thu-Sun, 6 p.m. Entrance: free.
Artists: Liron Lupu, Effi and Amir, Keren Cytter, Maria Pomianski,
Vadim Levin, Irina Birger. Curator: Irina Birger
15 years have passed since the beginning of the immense Russian immigration
wave to Israel and 16th Republic (a term used by Russians for countries
under their cultural influence) is a distinctive product of this fascinating
process. One immediate common aspect of all the artists showing in this
exhibition is Israel, where three of them were born and three others
have immigrated to. Another common element is the fact that they all
have decided to depart Israel. While locating themselves deep in the
heart of (old) Europe (Amsterdam, Berlin, Zurich) they all choose to
deal with Israel in their body of work.
16th Republic is the unique result of a dialogue taking place nowadays
between Israeli- born artists and their fellow Russian Israelis. While
using a range of techniques all artists are focusing their gaze on the
changeable face of Israel’s young society. In the exhibition the
various videos are juxtaposed through semi-narrative single day occurrences.
It starts with a sunset and ends with the moon while the audience receives
a direct, sometimes cynical observation of a universal circle of emotions.
The acuteness of the exhibition's context is made apparent by displaying
it in a gallery associated with Eastern (New) Europe in a city struggling
to face its own changing character. “16th Republic” offers
a variegated look into an urban culture laden with numerous layers of
history and almost infinite faces of society. It does neither suggest
utopia nor reality. In this twilight zone the exhibition depicts a subtle
description, which appears to contain an (almost) normal day of a restless
Liron Lupu is opening with “Early Morning” and catches a
special moment of Tel Aviv’s night becoming a day. It is an unstable
start for another day in our life. Later Effi and Amir’s “All
my sons” is presenting a unique take on a nuclear family while
reconstructing a future history of their possible children. Through
different episodes they deal with their existence and identity as a
couple and as artists with moral conventions, common beliefs and behaviors
of the Israeli society in which they live. Keren Cytter's “Ruthi
and Keren” depicts an ordinary conversation about life issues
discussed by two young female waitresses during their shift. Maria Pomiansky's
“Fountains in Tel Aviv” manages to integrate a personal
relationship with urban architecture by placing her friends as the city’s
enduring fountains. “Jerusalem Partisan” by Vadim Levin
uses different associations related with Israeli war documentaries and
popular Russian Cinematography war movies. Levin points a finger at
a society living on the edge and turns the city space into a battleground.
Irina Birger, with two animated short films, examines masculinity as
experienced in Russia, Israel, and Germany while not ignoring Arabic
influence. Birger dares to look deep and beyond the sources influencing
the Israeli identity.
Together the works in this exhibition acknowledge the importance of
artistic discourse in a multi-layered society (even if occurring outside
its boarders) and argue for a more complex appreciation of what seems
to be a unified Israeli character.
Text by: Eyal de Leeuw. Cultural affairs at the Embassy of Israel